MATA SATI माता सती
आदि शक्ति माँ भगवती की अवतार
CONCEPTS & EXTRACTS IN HINDUISM
By :: Pt. Santosh Bhardwaj
ॐ गं गणपतये नम:।
अक्षरं परमं ब्रह्म ज्योतीरूपं सनातनम्।
गुणातीतं निराकारं स्वेच्छामयमनन्तजम्॥
By :: Pt. Santosh Bhardwaj
dharmvidya.wordpress.com hindutv.wordpress.com santoshhastrekhashastr.wordpress.com bhagwatkathamrat.wordpress.com jagatgurusantosh.wordpress.com
santoshkipathshala.blogspot.com santoshsuvichar.blogspot.com santoshkathasagar.blogspot.com bhartiyshiksha.blogspot.com
ॐ गं गणपतये नम:।अक्षरं परमं ब्रह्म ज्योतीरूपं सनातनम्।
गुणातीतं निराकारं स्वेच्छामयमनन्तजम्॥
Mata-Maa Sati, Dakshayani (दाक्षायणी) is revered as Adi Devi, who performed Tapsya-Asctics, Penances, Chastity for thousands of years to have Bhagwan Shiv as her husband. She took incarnation as a daughter of Daksh Prajapati. Daksh Prajapati and his wife took birth from the toes of Bhagwan Brahma Ji-the creator. She is worshipped as the deity-goddess of marital felicity and longevity. She is Adi Maan Para Shakti-Durga, She immolated herself when she suffered humiliation & insult from her father, with the help of divine sacred fire, which dwelt in her with the Yog Shakti sucking the soul to the Ultimate through Yog. She reappeared as Maan Parwati to remarry Bhagwan Shiv. Dakshayani was the first consort of Bhagwan Shiv-the destroyer, the second being Parvati-the reincarnation of Sati herself.
Both these incarnation were essential to protect the demigods-deities from demons-Rakshas. Maan Sati and Maan Parvati successively played the role of bringing Bhagwan to the fold of house hold from asceticism, resulting in the birth of Bhagwan Kartikaey and Shri Ganesh.
Sati in due course of time, emerged as a practice in which a woman immolated herself over the funeral pyre of her husband.
Daksh (Brahma's son) performed Vrahaspati Yagy in a place called Kankhal (near Haridwar). He performed this Yagy with a desire of taking revenge on Bhagwan Shiv. Daksh was angry because his daughter Sati (one of his 63 daughters) had married the Yogi Bhagwan Shiv against his wishes. Daksh invited all the deities to the Yagy except for Shiv and Sati. The fact that she was not invited did not deter Sati from attending the Yagy. She had expressed her desire to attend to Shiv, who had tried his best to dissuade her from going. Shiv eventually allowed her to go escorted by his Gan and Nandi Maharaj.
Bhagwan Brahma appeared with five mouths. The fifth mouth of Bhagwan Brahma in his arrogance uttered such words which were not liked by Bhagwan Mahesh-Shiv. He did not stop in spite warnings. Bhagwan Shiv was left with no alternative but to chop it off. He was named as a Kapalik after this incident. Daksh unaware of his status as the third form of the Almighty insulted him. He did not appreciate Bhagwan Shiv for his behaviour and presence in cremation grounds. Again, he was not aware of the fact that Bhagwan Shiv himself was Yagy Purush and no Yagy-sacrifice would be complete unless un till granted by him. Daksh was warned by Bhagwan Brahma Ji in advance, of the consequences. Bhagwan Vishnu too was not happy with the rudeness of Daksh. Daksh was unhappy with Bhagwan Shiv because he did not pay him respect by standing in the conference called by him. His ego-arrogance was boundless. He considered him self to be supreme.
Daksh once organized a grand Yagy to which all the demigods and deities were invited, with the exception of Sati and Shiv. desirous of visiting her parents, relatives and childhood friends, Sati sought to rationalise this omission. She reasoned within herself that her parents had neglected to make a formal invitation to them only because, as family, such formality was unnecessary; certainly, she needed no invitation to visit her own mother and would go anyway. Bhagwan Shiv sought to dissuade her, but she was resolved upon going. Bhawan Shiv then provided her with escorts of his Ganas along with Bhagwan Nandi and bid her provoke no incident.
Sati was received coldly by her father. They were soon in the midst of a heated argument about the lack of virtues of Bhagwan Shiv. Every passing moment made it clearer to Sati that her father was entirely incapable of appreciating the many excellent qualities of her husband. The realisation then came to Sati that this abuse was being heaped on Bhagwan Shiv only because he had wed her; she was the cause of this dishonour to her husband. She was consumed by rage against her father and loathing for his mentality. Calling up a prayer that she may, in a future birth, be born the daughter of a father whom she could respect, Sati invoked her Yogic powers or Yogic Agni which was attained by her due to severe devotion or Puja done by her and immolated herself.
Shiv sensed this catastrophe and his rage was incomparable. He loved Sati more than any one and would never love after her. So, he created Vir Bhadr and Bhadr Kali, or collectively Manbhadr, two ferocious creatures who wreaked havoc and mayhem on the scene of the horrific incident. Nearly all those present were indiscriminately felled overnight. Daksh himself was decapitated.
Bhagwan Shiv was shocked. He was full of sorrow and grief. This resulted in carrying of Maan Sati's body over his head and shoulder. He could not come out of the trauma. He performed the fearsome and awe-inspiring Tandav dance with Sati's charred body over his shoulders. The demigods, deities and Brahma Ji called upon the Almighty Bhagwan Vishnu to restore Shiv to normalcy and calm. Bhagwan Vishnu used his Sudarshan Chakr to dismember Sati's lifeless body, following which Shiv regained his equanimity.
Sati's body was thus dismembered into 51 pieces which fell on earth at various places. Several different listings of these 51 holy places, known as Shakti Peeths, are available; some of these places have become major centres of pilgrimage as they are held by the Goddess-oriented Shakt sect to be particularly holy. Besides 51 main Shakti Peeths, some small Peeths like Bindu Dham came into existence which are due to Sati's fallen blood drops.
After the night of horror, Shiv, the all-forgiving, restored all those who were slain to life and granted them his blessings. Even the abusive and culpable Daksh was restored both to life and to kingship. His severed head was substituted for that of a goat. Having learned his lesson, Daksh spent his remaining years as a devotee of Bhagwan Shiv.
During Treta Yug, Bhagwan Shiv went to Rishi August along with Maan Sati. The sage narrated the story of Ram to the divine couple. Shiv wanted to see Ram, but Sati was in the dark that Shri Ram was a manifestation of God. Shiv got a glimpse of Ram and was over whelmed with love. Sati saw Shiv thrilled with love and became doubtful as to why Shiv was enchanted by a mere human being. Although, Sati did not say anything, Shiv being omniscient came to know of everything. Shiv asked her to verify if she had a doubt in her mind. Maan Sati assumed the form of Mata Sita and approached Bhagwan Ram. However, Shri Ram recognised her at once. He first introduced himself and then asked her about the absence of Bhawan Shiv there. Why was she roaming there in the forest alone? She could not give a proper reply and returned to Shiv in fear. She became sad and regretted doubting Shiv. When Ram realised that Sati was sad, he revealed some of his power to divert her mind. On the way Sati saw Ram along with his brother Lakshman and Sita walking in front of her. She then turned and found them at the back. Wherever she looked, she found Ram and various deities and all creation in him. In awe, she closed her eyes and when she again opened her eyes, everything vanished. She then returned to Shiv. Bhagwan Shiv could not tolerate this and discarded-rejected her at once. This incident along with absence of Nav Grah Pooja resulted in the immolation of Maan Sati in Daksh Praja Pati's Yagy.
Dakshayani was reborn as Parvati, daughter of Himavat, the king of mountains and his wife, Maena. This time, she was born the daughter of a father whom she could respect, a father who appreciated Shiv ardently. Naturally, Parvati sought and received Shiv as her husband.
Emergence of Maa Parvati as in incarnation of Adi Shakti & Sati turned Bhagwan Shiv from an ascetic to a Grahasth Ashrami (house holder) leading to the birth of Gan Pati and Subrahmany-Bhagwan Kartikey.
Shakti Peeths are shrines or divine places of the Mother Goddess. These are places which are believed to have enshrined with the presence of Shakti (holy places of cosmic Power, energy, strength) due to the falling of body parts of the corpse, blood and ornaments of Sati Devi, when Bhagwan Shiv carried it and wandered throughout Ary Vart in sorrow-grief. There are 52 Shakti Peeths associated with the 52 alphabets in Sanskrat.
Kottiyoor Vaesakh Mahotsav, is the 27 day Yagy ceremony, conducted in the serene hilly jungle location in North Kerala yearly commemorating the Daksh Yagy.
Adi Shakti has various incarnations including Goddess Maan Gouri, Parvati, the benevolent goddess of harmony, marital felicity and longevity, Durga the goddess of strength and valour and Maha Kali (dark complexioned), the goddess of destruction of the evil.
Both these incarnation were essential to protect the demigods-deities from demons-Rakshas. Maan Sati and Maan Parvati successively played the role of bringing Bhagwan to the fold of house hold from asceticism, resulting in the birth of Bhagwan Kartikaey and Shri Ganesh.
Sati in due course of time, emerged as a practice in which a woman immolated herself over the funeral pyre of her husband.
Daksh (Brahma's son) performed Vrahaspati Yagy in a place called Kankhal (near Haridwar). He performed this Yagy with a desire of taking revenge on Bhagwan Shiv. Daksh was angry because his daughter Sati (one of his 63 daughters) had married the Yogi Bhagwan Shiv against his wishes. Daksh invited all the deities to the Yagy except for Shiv and Sati. The fact that she was not invited did not deter Sati from attending the Yagy. She had expressed her desire to attend to Shiv, who had tried his best to dissuade her from going. Shiv eventually allowed her to go escorted by his Gan and Nandi Maharaj.
Bhagwan Brahma appeared with five mouths. The fifth mouth of Bhagwan Brahma in his arrogance uttered such words which were not liked by Bhagwan Mahesh-Shiv. He did not stop in spite warnings. Bhagwan Shiv was left with no alternative but to chop it off. He was named as a Kapalik after this incident. Daksh unaware of his status as the third form of the Almighty insulted him. He did not appreciate Bhagwan Shiv for his behaviour and presence in cremation grounds. Again, he was not aware of the fact that Bhagwan Shiv himself was Yagy Purush and no Yagy-sacrifice would be complete unless un till granted by him. Daksh was warned by Bhagwan Brahma Ji in advance, of the consequences. Bhagwan Vishnu too was not happy with the rudeness of Daksh. Daksh was unhappy with Bhagwan Shiv because he did not pay him respect by standing in the conference called by him. His ego-arrogance was boundless. He considered him self to be supreme.
Daksh once organized a grand Yagy to which all the demigods and deities were invited, with the exception of Sati and Shiv. desirous of visiting her parents, relatives and childhood friends, Sati sought to rationalise this omission. She reasoned within herself that her parents had neglected to make a formal invitation to them only because, as family, such formality was unnecessary; certainly, she needed no invitation to visit her own mother and would go anyway. Bhagwan Shiv sought to dissuade her, but she was resolved upon going. Bhawan Shiv then provided her with escorts of his Ganas along with Bhagwan Nandi and bid her provoke no incident.
Sati was received coldly by her father. They were soon in the midst of a heated argument about the lack of virtues of Bhagwan Shiv. Every passing moment made it clearer to Sati that her father was entirely incapable of appreciating the many excellent qualities of her husband. The realisation then came to Sati that this abuse was being heaped on Bhagwan Shiv only because he had wed her; she was the cause of this dishonour to her husband. She was consumed by rage against her father and loathing for his mentality. Calling up a prayer that she may, in a future birth, be born the daughter of a father whom she could respect, Sati invoked her Yogic powers or Yogic Agni which was attained by her due to severe devotion or Puja done by her and immolated herself.
Shiv sensed this catastrophe and his rage was incomparable. He loved Sati more than any one and would never love after her. So, he created Vir Bhadr and Bhadr Kali, or collectively Manbhadr, two ferocious creatures who wreaked havoc and mayhem on the scene of the horrific incident. Nearly all those present were indiscriminately felled overnight. Daksh himself was decapitated.
Bhagwan Shiv was shocked. He was full of sorrow and grief. This resulted in carrying of Maan Sati's body over his head and shoulder. He could not come out of the trauma. He performed the fearsome and awe-inspiring Tandav dance with Sati's charred body over his shoulders. The demigods, deities and Brahma Ji called upon the Almighty Bhagwan Vishnu to restore Shiv to normalcy and calm. Bhagwan Vishnu used his Sudarshan Chakr to dismember Sati's lifeless body, following which Shiv regained his equanimity.
Sati's body was thus dismembered into 51 pieces which fell on earth at various places. Several different listings of these 51 holy places, known as Shakti Peeths, are available; some of these places have become major centres of pilgrimage as they are held by the Goddess-oriented Shakt sect to be particularly holy. Besides 51 main Shakti Peeths, some small Peeths like Bindu Dham came into existence which are due to Sati's fallen blood drops.
After the night of horror, Shiv, the all-forgiving, restored all those who were slain to life and granted them his blessings. Even the abusive and culpable Daksh was restored both to life and to kingship. His severed head was substituted for that of a goat. Having learned his lesson, Daksh spent his remaining years as a devotee of Bhagwan Shiv.
During Treta Yug, Bhagwan Shiv went to Rishi August along with Maan Sati. The sage narrated the story of Ram to the divine couple. Shiv wanted to see Ram, but Sati was in the dark that Shri Ram was a manifestation of God. Shiv got a glimpse of Ram and was over whelmed with love. Sati saw Shiv thrilled with love and became doubtful as to why Shiv was enchanted by a mere human being. Although, Sati did not say anything, Shiv being omniscient came to know of everything. Shiv asked her to verify if she had a doubt in her mind. Maan Sati assumed the form of Mata Sita and approached Bhagwan Ram. However, Shri Ram recognised her at once. He first introduced himself and then asked her about the absence of Bhawan Shiv there. Why was she roaming there in the forest alone? She could not give a proper reply and returned to Shiv in fear. She became sad and regretted doubting Shiv. When Ram realised that Sati was sad, he revealed some of his power to divert her mind. On the way Sati saw Ram along with his brother Lakshman and Sita walking in front of her. She then turned and found them at the back. Wherever she looked, she found Ram and various deities and all creation in him. In awe, she closed her eyes and when she again opened her eyes, everything vanished. She then returned to Shiv. Bhagwan Shiv could not tolerate this and discarded-rejected her at once. This incident along with absence of Nav Grah Pooja resulted in the immolation of Maan Sati in Daksh Praja Pati's Yagy.
Dakshayani was reborn as Parvati, daughter of Himavat, the king of mountains and his wife, Maena. This time, she was born the daughter of a father whom she could respect, a father who appreciated Shiv ardently. Naturally, Parvati sought and received Shiv as her husband.
Emergence of Maa Parvati as in incarnation of Adi Shakti & Sati turned Bhagwan Shiv from an ascetic to a Grahasth Ashrami (house holder) leading to the birth of Gan Pati and Subrahmany-Bhagwan Kartikey.
Shakti Peeths are shrines or divine places of the Mother Goddess. These are places which are believed to have enshrined with the presence of Shakti (holy places of cosmic Power, energy, strength) due to the falling of body parts of the corpse, blood and ornaments of Sati Devi, when Bhagwan Shiv carried it and wandered throughout Ary Vart in sorrow-grief. There are 52 Shakti Peeths associated with the 52 alphabets in Sanskrat.
Kottiyoor Vaesakh Mahotsav, is the 27 day Yagy ceremony, conducted in the serene hilly jungle location in North Kerala yearly commemorating the Daksh Yagy.
Adi Shakti has various incarnations including Goddess Maan Gouri, Parvati, the benevolent goddess of harmony, marital felicity and longevity, Durga the goddess of strength and valour and Maha Kali (dark complexioned), the goddess of destruction of the evil.
52 SHAKTI PEETH SPREADED OVER ALL INDIA
S. NO. | LOCATION | ORGAN AND ORNAMENT | SHAKTI BHAERAV |
| 1. | HINGUL | THE SUTURE ON THE TOP OF THE HEAD | KOTTVISH BHEEM LOCHAN |
| 2. | SHARKRAR | EYES | MAHISHA SUR MARDINI KRODHISH |
| 3. | SUGANDH-PLEASANT SMELL | NOSE | SUNANDA TRAYAMBAK |
| 4. | KASHMIR | THROAT | MAHA MAYA TRI SANDHYESHWAR |
| 5. | JWALA MUKHI | TONGUE | SIDDHID UNMAT BHAERAV |
| 6. | JALANDHAR | BREAST | TRI PUR MALINI BHISHAN |
| 7. | VAEDDY NATH | HEART | JAYA DURGA VAEDDY NATH |
| 8. | NEPAL | KNEE | MAHA MAYA KAPALI |
| 9. | MANAS | RIGHT HAND | DAKSH PANI AMAR |
| 10. | VIRJA IN UTKAL | NAVEL | VIMAL JAGANNATH |
| 11. | GANDAKI | TEMPLE | GANDAKI CHAKR PANI |
| 12. | BAHULA | LEFT ARM | GODDESS BAHULA BHIRUK |
| 13. | UJJAYINI | WRIST MANGAL | CHANDIKA KAPILAMBAR |
| 14. | TRI PUR | RIGHT LEG | TRI PUR SUNDRI TRI PURESH |
| 15. | CHAHAL | RIGHT ARM | BHAWANI CHANDR SHEKHAR |
| 16. | TRI STROT | LEFT LEG | BHRAMRI BHAERAVESHWAR |
| 17. | KAM GIRI | GENITAL | KAMAKHYA UMA NAND |
| 18. | PRAYAG | FINGER (HAND) | LALIT BHAV |
| 19. | JAYANTI | LEFT THIGH | JAYANTI KARMADHISHWAR |
| 20. | YUGADDYA | GREAT TOE (RIGHT) | BHOOT DHATRI KSHEER KHANDAK |
| 21. | KALI PEETH | RIGHT TOE | KALIKA NAKULEESH |
| 22. | KIREET | CROWN | VIMAL SANWART |
| 23. | VARANASI | EAR RING | VISHALAKSHI AND MANI KARNI KAL BHAERAV |
| 24. | KANYASHRAM | BACK | SARVANI NIMISH |
| 25. | KURU KSHETR | ANKLE BONE | SAVITRI STHANU |
| 26. | MANI BANDH | TWO WRIST LETS | GAYATRI SARVANAND |
| 27. | SHRI SHAEL | NECK | MAHA LAXMI SHAMBARANAND |
| 28. | KANCHI | BONE | DEV GARBHA RURU |
| 29. | KAL MADHAV | BUTTOCK (LEFT) | KALI ASITANG |
| 30. | SHONDESH | BUTTOCK (RIGHT) | NARMADA BHADR SEN |
| 31. | RAM GIRI | BREAST | SHIVANI CHAND BHAERAV |
| 32. | VRINDAVAN | RINGLETS OF HAIR | UMA BHUTESH |
| 33. | SHUCHI | TEETH (UPPER JAW) | NARAYANI SANHAR |
| 34. | PANCH SAGAR | TEETH (LOWER JAW) | VARAHI MAHA RUDR |
| 35. | KARTOYATAT | TALP (ORNAMENT) | ARPAN VAMAN BHAERAV |
| 36. | SHRI PARVAT | RIGHT ANKLE | SHRI SUNDARI SUNDARANAND BHAERAV |
| 37. | VIBHASH | LEFT ANKLE | KAPALINI SARVANAND |
| 38. | PRABHAS | STOMACH | CHANDR BHAG VAKR TUND |
| 39. | BHAERAV PARVAT | UPPER LIP | AVANTI LAMB KARN |
| 40. | JAN STHAL | CHIN (TWO PARTS) | BHRAMARI VIKRITAKSH |
| 41. | SARV SHAEL | LEFT CHEEK | RAKINI VATS NABH |
| 42. | GODAVARI TIR | RIGHT CHEEK | VISHVESHI DAND PANI |
| 43. | RATNAVALI | RIGHT SHOULDER | KUMARI SHIVA |
| 44. | MITHILA | LEFT SHOULDER | UMA MAHODAR |
| 45. | NALHATI | ULAR BONES OF THE FEET | KALIKA DEVI YOGESH |
| 46. | KARNAT | EAR | JAY DURGA ABHIRU |
| 47. | VAKRESHWAR | MIND | MAHISH MARDINI VAKR NATH |
| 48. | YASHOR | HAND & FOOT | YASHORESHWARI CHAND |
| 49. | ATT HASS | LIPS | PHULLAR VISHVESH |
| 50. | NANDI PUR | NECKLACE | NANDINI NANDIKESHWAR |
| 51. | LANKA | ANKLETS | INDRAKSHI |
| 52. | DANTESHWARI | DANT (TEETH) | DANTESHWARI |
These names of Bhaerav exists in Tantr Chudamani. All the Shakti-Peeths have secondary deity as Bhairav, besides the primary deity-Shakti. While having a darshan of Shakti-Peeth, a devotee should also have a darshan of Bhaerav also, keeping in mind Shiv’s Shakti.
LOCATIONS ::
(1). HINGUL:: Hingul (Hinglaj) Devi’s mind or brain fell here and the idols are Devi as Kothari (Durga) and Shiv as Bhim Lochan (Terrible eyed or the third eye). The location is towards 125 km from Karachi, Pakistan.
(2). SHARKRAR :: Sharkarare or Karavipur. Devi’s three eyes fell here and the idols are Devi as Mahishmardini (Durga the destroyer of Mahishasur) and Shiv as Krodhish (the one who can be angry). It is near Karachi in Pakistan, by rail the nearest station is Parkai.
(3). SUGANDH :: Sugandh Devi’s nose fell here and idols are Devi as Sunand (Pleasing) and Shiva as Trayambak (Rudr). In the state of Bengal near Barishal in Shiv Hari Karpur village Devi’s temple is located and Shiv’s temple is in a village called Ponabalia, nearest railway station is Jhalkati.
(4). JWALAMUKHI :: Jwalamukhi, Kangra, Devi’s tongue fell here and the idols are Devi as Ambika (Mother) and Shiva as Unmatt (उन्मत्त, Furious). This is located near Pathankot, H.P., Jwalamukhi Road.
(5). AVANTI :: On Bhaerav mountain near Avanti Devi’s upper lips fell here and idols are Devi as Avanti (Modest) and Shiv as Lamb Karn (लम्ब कर्ण, Long eared one). It is located near Ujjain.
(6). ATTAHAS :: Devi’s lower lips fell here and the idols are Devi as Fullar (Blooming) and Shiv as Bhaerbhvishesy. The place is in Bengal near Birbhum. Image of Devi and the Shiv temple is next to the Devi temple. It is a major pilgrimage and tourist attraction.
(7). PRABHAS :: Devi’s stomach fell here and the idols are Devi as Chandr Bhaga (Throne of the moon) and Shiv as Vakr Tund (one with the bent staff). This is near Mumbai where a launch goes to Bharoal which is near Prabhas.
(8). YANASTHAN :: Devi’s chin fell here and the idols are Devi as Bhramari (female Bumble bee or attendant of Durga) and Shiv as Vikrakatakkha (one with the crooked eyes or look). Other names are Devi as Chibuk (one with the chin) and Shiv as Sarv Siddhish (one who can provide all desires).
(9). GODAVARI RIVER :: Devi’s left cheek fell here and the idols are Vishw Matuk (mother of the world) and Shiv as Dand Pani (one who holds a staff).
(10). GANDAKI -RIVER :: Devi’s right cheek fell here and the idols are Devi as Gandaki Chandi (one who overcomes obstacles or Gandi) and Shiv as Chakr Pani (Holder of the discus).
(11). SUCHIDESH :: Devi’s upper teeth fell here and the idols are Devi as Narayani (the wife of Narayan) and Shiv as Sanghar. Panch Sagar-Devi’s lower teeth fell here and the idols are Devi as Barahi and Shiv as Maha Rudr (furious, angry).
(12). BHAWANI PUR-KAROT RIVER :: Devi’s left seat or her clothing fell here and idols are Devi as Aparna (the one who ate nothing, not even leaves) and Shiv as Bhaerav (Destroyer of fear). The King of Nator and his grandson the Maharajah Ramakrishna used to meditate here. The seat, the Yagy Kund and five skulls are still here. In the month of Baeshakh according to the Bengali calendar, there is a large fete or Mela here to celebrate Ram Navami or Deepanbita.
(13). SHRI PARWAT :: Devi’s right seat fell here and the idols are Devi as Shri Sundri (beautiful) and Shiv as Sundranand (beautiful, handsome one).
(14). KARNAT :: Devi’s two ears fell here and the idols are Devi as Jai Durga (the victorious Durga) and Shiv as Avi Rook.
(15). VRANDAVAN DEVI :: Devi’s hair fell here and idols are Devi as Uma (Devi) and Shiva as Bhootesh (or provider of all desires). Play Ground of Bhagwan Shri Krashn and the Gopis.
(16). KIRIT :: Devi’s crown or headdress fell here and idols are Devi as Vimal (Pure) and Shiv as Sangbart. Take the train to Ajim Ganj. The temples are on the shore of Maa Ganga near Bat Nagar. (Bangla Desh)
(17). SHRI HATT :: Devi’s nape of the neck fell here and the idols are Devi as Maha Lakshmi (goddess of prosperity and wife of Maha Vishnu) and Shiv as Sarva Nand (the one who makes everyone happy). Devi’s temple is Near Shri Hatt town and Shiv’s temple is near Jain Pur. Shiv Ratri and Ashokashtami are celebrated with a Mela (carnival). Take train from Calcutta to Goa-land and steamer to Kechu Ganj. Then either take a boat or walk about five miles (1 mile = 1.6 Km.).
(18). NAL HATI :: Devi’s vocal pipe fell here and the idols are Devi as Kalik (Durga) and Shiv as Yogesh. By train from Howrah station.
(19). KASHMIR :: Devi’s neck fell here and the idols are Devi as Maha Maya (the great Illusion) and Shiv as Trisandhyasvar. The famous pilgrimage is Amar Nath. There is a Shiv Ling of glacial ice which expands and contracts with the seasons.
(20). RATNA VALI :: Devi’s right shoulder fell here and the idols are Devi as Kumari (Durga) and Shiv as Bhaerav (Remover of fear).
(21). MITHILA :: Devi’s left shoulder fell here and the idols are Devi as Maha Devi (Devi) and Shiv as Mahodar (big belied one). This is near Janak Pur station.
(22). CHAT GRAM-CHATTAL :: Devi’s right arm fell here and the idols are Devi as Bhavani (Devi) and Shiv as Chandr Shekhar (the one who has the moon as the crown). It is said that Maha Dev has himself pronounced that he will visit Chandr Shekhar mountain regularly during Kali Yug. This is near Sita Kund station. This is in Bangladesh.
(23). MANAS KSHETR :: Devi’s right hand or palm fell her and the idols are Devi as Dakhchayani (Durga) and Shiv as Amar (Immortal). Take train from Howrah station to Guskar station and then a few miles to Kogram. Maha Dev is considered Siddhi Dayak or provider of all wishes.
(24). UJJAENI :: Devi’s elbows fell here and the idols are Devi as Mangal Chandi (Durga) and Shiv as Kapilambar (who wears the brown clothes). Shiv is Siddhi Dayak.
(25). MANI BANDH :: Devi’s middle of the palms fell here and the idols are Devi as Gayatri (Saraswati) and Shiva as Sarvanand (one who makes everyone happy).
(26). PRAYAG-TRIVENI :: Devi’s ten fingers fell here and the idols are Devi as Lalita (beautiful). Another name is Alopi and Shiv as Bhav. Near Triveni Ghat there is Bani Tirth Ghat (Quay for boats). Allahabad is the train station.
(27). BAHUL :: Devi’s left arm fell here and the idols are Devi as Bahul (Abundant) and Shiva as Bhiruk (who is also Sarv Siddhi Dayak). Arrive at Katoa rail station and then go to Ketu Gram which is a pilgrimage.
(28). JALANDHAR :: Devi’s right breast fell here and the idols are Devi as Tripur Malini (Durga) and Shiv as Bhishn (Gruesome, furious). Jwalamukhi is the nearby Tirth and train goes from Delhi to Jalandhar.
(29). RAM GIRI-CHITR KOOT :: Devi’s left breast fell here (another opinion is that her Nal or Jaghanasti fell here) and the idols are Devi as Shivani (the wife of Shiv) and Shiv as Chand. Near Bilas Pur station and a walk of 2 miles.
(30). VAEDY NATH :: Devi’s heart fell here and the idols are Devi as Jai Durga (Victorious Durga) and Shiv as Vaedy Nath. It is in Bihar. Joshidi is the train station.
(31). UTKAL-ODISA :: Devi’s navel fell here and the idols are Devi as Vimal (the pure one) and Shiv as Jagan Nath (the ruler of the world). This is near the Jagan Nath temple of Puri in the state of Orissa.
(32). KANCHI :: Desh Devi’s skeleton fell here and the idols are Devi as Dev Garbh and Shiv as Ruru. Bol Pur station to Kopar river banks. There is a well for worship.
(33). KALM DHAV :: Devi’s right hips fell here and the idols are Devi as Kali (another form of Durga) and Shiv as Asitanand. By praying to the Devi profusely pilgrims can obtain their desired objective.
(34). SON :: Devi’s left hips fell here and the idols are Devi as Narmada and Shiv as Vadr Sen.
(35). KAMAKHYA-KAM ROOP :: Devi’s Yoni fell here and the idols are Devi as Kamakhya (personification of love) and Shiv as Umanand. This is near Gauhati in the state of Assam on the banks of the Brahmaputra (the son of Brahma) river. The temple is on top of the Nilanchal Hill. This is a famous pilgrimage for women seeking fertility or love. The temple is supposedly built by Kam Dev, the god of love. The Umanand temple is nearby in an islet on the river. It has many pet monkeys.
(36). NEPAL :: Devi’s two knees fell here and the idols are Devi as Mahashira and Shiv as Kapali.
(37). JAYANTI :: Devi’s left thigh fell here and the idols are Devi as Jayanti and Shiva as Kram Dishwar. In Bengal near Shri Hatt.
(38). MAGADH ::Devi’s right thigh fell here and the idols are Devi as Sarvan Dari and Shiv as Byom Kesh. Inside Shri Hatt at Jayanti Pargana near the base of the Kahshia mountain Devi’s legs are placed here. Shri Hatt to Kanair Ghat by boat and then walk 2 miles. In West Bengal.
(39). TRIPURA :: Devi’s right foot fell here and the idols are Devi as Tri Pur Sundri and Shiva as Tri Puresh. Devi is grantor of all wishes or Sarv Visht Pradayni.
(40). KHIRGRAM :: Devi’s right toe fell here and the idols are Devi as Yogday and Shiv as Khir Kant. Take Eastern Indian Railway to Bardhwan station. Take Bardhwan Katoa Rail to Nigam station. Nigam station to Khirgram (village) is 2 miles. A mela (fair, fete) is held during Baesakh Sankranti.
(41). KALI GHAT-KOLKATTA :: Devi’s four small toes from her right foot fell here and the idols are Devi as Kali and Shiv as Nakulish or Nakuleshwar. Famous pilgrimage located in Kolkatta in the state of West Bengal. Kali is a dark complexioned form of Shakti who has taste for blood and death. She rules over the cremation sites and is worshipped by devotees on a dark and moon less night. She is a popular deity of Bengal. Kali is the female version of Kaal or end of time.
(42). KURU KSHETR :: This is the place-Kshetr belonging to the Kuru clan, dynasty, family where the battle of the Maha Bharat was fought between the Kurus and Pandus). Devi’s right ankle fell here and the idols are Devi as Savitri or Sthanu and Shiv as Ashw Nath.
(43). BAKRESHWAR :: Devi’s mind or the center of the brows fell here and the idols are Devi as Mahisha Sur Mardini (the slayer of Mahisha Sur or Durga) and Shiv as Bakr Nath. Near Ahmed Pur station. There are seven hot springs and also the Pap Har (remover of sins) river. The Maha Muni Ashtawakr found enlightenment here. On Shiv Ratri (night) there is a grand Mela (fair, fete) here.
(44). JESSORE :: Devi’s centre of the hands fell here and the idols are Jashoreswari and Shiv as Chand (Moon or the one who holds the moon).
(45). NANDI PUR :: Devi’s necklace fell here and the idols are Devi as Nandini and Shiva as Nandi Kishor.
(46). VARANASI-BANARAS :: Devi’s earrings (Kundal) fell here and the idols are Devi as Vishw Lakshmi (provider of wealth to all) and Shiv as Kal-Death (Time or the end of time). Famous pilgrimage in UP and one of the oldest cities in the world. The Puran say that this city exists even after the Pralay-Devastation.
(47). KANASHRAM-KALIKASHRAM :: Devi’s back fell here and the idols are Devi as Shravani and Shiv as Nimish.
(48). LANKA :: Her feet bells (Nupur) fell here and the idols are Devi as Indrakshi and Shiv as Rakshareshwar. Indrakshi was created and worshipped by Indra in person.
(49). VIRAT DEVI :: Mata Sati's small toes of the feet fell here and idols are Devi as Ambika and Shiv as Amrat (nectar, elixir of immortality).
(50). BHEEM ROOP :: Bivas Devi’s left ankle fell here and the idols are Devi as Bhim Rup and Shiv as Sarvanand.
(51). TRISNOT :: Devi’s left feet fell here and the idols are Devi as Bhramari (Bumblebee) and Shiv as Iswar (God). On the banks of Tista river in Shalbari village in Jalpaiguri district in West Bengal.
(52). DANTESHWARI DEVI :: It is temple dedicated to Maan Danteshwari. The temple is situated in Dantewada, a town situated 80 km from Jagdal Pur Tehsil, Chhattis Garh. Traditionally she is the Kul Devi (family goddess-deity) of Bastar state.
The temple is the spot where the Dant or Tooth of Maa Sati fell.
Every year during Dusshera thousands of tribals from surrounding villages and jungles gather here to pay homage to the goddess, when her idol was taken out of that ancient Danteshwari temple and then taken around the city in an elaborate procession, now a popular tourist attraction part of the 'Bastar Dushhara festival.
The places where these body parts fell acquired religious significance-fervour. There are 18 main such places which are revered as compared to others and they are called Ashta (8) Dash (10) Shakti Peeth (अष्टादश). In fact 52 Shakti Peeth are present all over the country including Shri Lanka. The total goes up to 108 Shakti Peeth, when one start counting the places where the drops of blood fell.
ASHTADASH SHAKTI PEETH
S. No. | Place | Part of the body fallen | Name of Shakti |
(1). | Trincomalee (Shri Lanka) | Groin | Shankari Devi |
(2). | Kanchi (Tamil Nadu) | Back part | Kamakshi Devi |
(3). | Praddyumnam (Gujarat) | Stomach part | Shri Shrankhla Devi |
(4). | Mysore (Karnatak) | Hair | Chamundeshwari Devi |
(5). | Alampur (Andhr Pradesh) | Upper teeth | Jogulamba Devi |
(6). | Srisailam (Andhr Pradesh) | Neck part | Bhramaramba Devi |
(7). | Kolha Pur (Maharashtr) | Eyes | Maha Lakshmi Devi |
(8). | Nanded (Maharashtr) | Right hand | Eka Veerika Devi |
(9). | Ujjain (Madhy Pradesh) | Upper lip | Maha Kali Devi |
(10). | Peeth Puram (Andhr Pradesh) | Left hand | Puruhutika Devi |
(11). | Jajpur (Orissa) | Navel | Biraj Devi |
(12). | Draksharamam (Andhr Pradesh) | Left cheek | Manikyamba Devi |
(13). | Guwahati (Assam) | Vulva | Kam Rup Devi |
(14). | Prayag (Uttar Pradesh) | Fingers | Madhveshwari Devi |
(15). | Jwala (Himachal Pradesh) | Head part | Vaeshnavi Devi |
(16). | Gaya (Bihar) | Breast part | Sarv Mangla Devi |
(17). | Varanasi (Uttar Pradesh) | Wrist | Vishalakshi Devi |
(18). | Kashmir | Right hand | Saraswati Devi |
The hill face is rugged and is called Ravanan Veddu. As Trinco is full of seismic and volcanic activity as seen in Kanniya Hot Springs area, this rugged face of rock is a reminder of the movement of Earth's crust in this area.
After 1,505 A.D, the temple was destroyed by Portuguese catholic colonialists (along with countless Buddhist, Hindu and Muslim places of worship around the island), while the main statue was taken out to town for a festive occasion. At this time Portuguese soldiers entered into the temple dressed as Iyer priests and robbed the temple. The temple was destroyed and its building materials were used in the construction of a nearby fort by the Portuguese.
The present statues were found when digging a well in Trinco. During the time of Portuguese rule the statues were hidden in a silted well and were later forgotten. During independence, the ancient statues were finally discovered.
The Temple of Shri Shankari Devi according to the priest's in Trincomalee, say that the Portuguese who invaded the island in the 17th century completely cannon balled from their ship and demolished the cliff top Devi temple. In its site stands a lone pillar, as a mute spectator.
The present Shiv temple which is quite well known locally than the Shankari Temple was a recent construction. The Shiv is called as TRIKONESHVAR (probably because it is in Trincomalee which is truly TRI CONA MALAI-meaning triangle shaped hill). There is a small Devi Shrine built adjacent the Shiv temple. The famed Bilv tree which is perched right on the edge of the hill some hundred meters above the Indian ocean. It is a exhilarating and spectacular sight to behold. All round, silence reflects which is needed most in this war torn nation rightfully called as a paradise. There is also a more famous Kali temple in the heart of the town to which devotees can make a visit en route from the Shankari Temple.
Maa Kamakshi, is seated in a majestic Padmasan posture which resembles lotus, in the Yogic practice-a form of meditation. The Goddess also has divine Chakr called Pasa and Angus in her arms. an Yogic posture signifying peace and prosperity, instead of the traditional standing pose. The goddess holds a sugarcane bow and bunch of lotus flowers in the lower two of her arms and has a Pash (lasso), an ankush (goad) in her upper two arms. There is also a parrot perched near the flower bunch.
Kamakshivilas describes how the Maa absorbed all the other Shakti-power-strength forms to give a boon to Kam, the deity of love, sex, passions-an incarnation of Bhagwan Brahma Ji.
The Kamakshi Amman temple at Kanchi Puram is an ancient one and is associated with Adi Sankarachary. Ekambreswarar temple, the Kamakshiamman Temple and the Kumara Kottam temple and the Ulagalanda Perumaal Temple are the primary shrines in Periya Kanchi Puram. Kamakshi is considered to be wholly present in Kanchi Puram, as the only Amba shrine.
The temple covers an area of about 5 acres, and the sanctum is crowned with a gold plated Vimanam. Kamakshi is enshrined in a seated posture in the sanctum and is referred to as the Par Brahmn Swarupini, seated with Brahma, Vishnu, Rudra-Sada Shiv. Shri Chakr has been installed in front of the image and worship is offered to it.
It is believed that Kamakshi was originally an Ugr (उग्र स्वरूपणी) Swaroopini-depicting furious posture. Adi Sankarachary, while establishing Shri Chakr, personified her as the Shanti Swaroopini. During the days of Adi Sankar, the presence of the Ugr Swaroopini was felt outside the temple precincts and that Sankarachary requested her not to leave the temple complex. The festival image of Kamakshi, takes leave from Sankarachary, at his shrine in the inner Prakaram, each time she is taken out in procession.
The outer Prakaram houses the temple tank and several Mandapams such as the 100 pillared hall, the Dhwaja Rohan (ध्वजा रोहण) raising of mast-flag, Mandapam etc. Imposing views of the golden Vimanam (विमान-aeroplanes), can be had from the outer Prakaram, which is pierced with four entrances on all four sides. Images to Vishnu (Ninraan, Irundaan, Kidandaan) are seen near the temple tank.
One enters the four pillared hall then the inner Prakaram, and climbs a series of steps and reaches the sanctum. Immediately surrounding the sanctum are small shrines to Ardhanareeswarar, Soundary Lakshmi, Kallar (who has been mentioned in the hymns of Tirumangaialwar) and Varahi. In this Prakaram are shrines to Bangaru Kamakshi, Maha Saraswati and Adi Sankarachary.
Kanchi Puram is the seat of the Kanchi Kam Koti Peeth established by Adi Sankarachary. It is believed that Sankarachary attained Samadhi at Kanchi Puram, although another school of thought holds that Kedar Nath in the Himalayas is the site of his Samadhi.
The Goddess also has a Chandraperai (a shape of moon like structure) in her forehead. The Goddess Kamakshi is situated in the middle of temple premises.
Four worship services are offered each day. The jewels adorning the image of the deity are of great beauty. The annual festival is celebrated in the month of Masi. The silver chariot festival falls on the 7th day. Other festivals include Nav Ratri, Adi and Aippasi Puram, Shankar Jayanti and Vasant Utsavam in Vaekasi.
At present there is no temple exist at this place. A minaret was built there by Muslim invaders here, after demolishing the temples. There are significantly distinguishable features at the main entrance of the site that it was once a Hindu temple probably of Shrankhla Devi (श्रृंखला देवी). There were ruins of temple in front of minaret. It is one of the 3500 temples which were demolished by the barbarian Muslim invaders and the stones and idols were used to build the walls of the Mosque.
Every year during Magh Maas (around February) a festival by name MELA TAALA of about 30 days duration is organised in the premises of the minaret which is attended by local Hindus and converted Muslims in large numbers (more than 1 Lakh).
Rishy Shashy Shrang (श्रृंग ऋषि) grew up in the forest. He was pure at heart with the soul of an infant who does not get into the worldly pleasures. He took to worshiping Shrankhala Devi. He performed the Putr Kameshti Yagy for Raja Dash Rath. Bhagwan Ram took the incarnation along with Bharat, Lakshman & Shtrughan. Dash Rath's daughter Shanta Devi was adopted by another king. Shashy Shrung conducted a Yagy to provide relief from long famine to the kingdom. Over the request of the king, he married Shanta Devi.
He brought the deity Maa Shrankhala Devi to Srangeri at Shrung Parvat and constructed temples devoted to her. This place is also regarded as Shakti Peeth.
The Nandi Statue is gigantic, largest within India, 16 ft. (4.8 meters) tall in
the front and 25 ft. (7.5 meters) in length. The magnificent pendent bells around its neckline are exquisite. Nandi as well as the temple beside it can be found at the 700th step of the Chamundi Hill.
There are two other temples dedicated near the Chamundi
temple, Lakshmi Narayan Swamy and Maha Baleshwar temple. Shri Maha Baleshwar temple-devoted to Bhagwan Shiv in the shape of Ling is the oldest temple at the hill. It was built prior to the beginning of the Hoysala rule. Epi-graphical evidences point to this area as Maha Bal or Maha Bal Thirth and states that Hoysala King Vishnu Vardhan had given donations to the temple in 1,128 A.D.
The Mahisha Sur Statue-built was and installed in 1,659 by Dodda Dev Raj Wodeyar. Rajendr Vilas palace, was once a popular hotel resort.
Jogulamba (also called as Yogulamba-Yogamba) is one of the eighteen Shakti Peeth. Oordhv Dant Pankti (ऊर्ध्व दन्त पंक्ति, Upper jaw with tooth) of Devi fell here. She is the Shakti of Bal Brahmeshwar Swamy. While going to Kurnool from Hyderabad one has to turn left at Alampur cross-road (12 km before reaching Kurnool). Alampur is at 12 km distance from that spot. It is a small village and the Jogulamba temple is located in the South-East corner of the village beside Tung Bhadra river.
Idol of Jogulamba is typical in sitting position (posture, mode). She has huge amount of hair with lizard, scorpion, owl and a human scull in it. Idols of Sapt Matrika, Vighneshwar and Veena Pani and Veer Bhadr are also present in the temple. Original Chandi & Mundi idols were left in Bal Brahmeshwar Swamy temple and new idols were carved and placed in Jogulamba temple. Alampur is called the City of Temples. All of them are very old and famous for their sculpture. They are under control of Indian Archaeological department. The entire temple campus was built on the bank of river Tung Bhadra.
The Chaluky of Badami, mainly by the initiative of Pulakesin-(II) put up a number of temples in and around Alampur in the 7th and 8th centuries. At Alampur alone, Chaluky built nine temples devoted to Nav Brahmeshwar and Jogulamba. Eight magnificent temples of Nav Brahmeshwar survived but the temple of Tarak Brahm could not be traced.
The Jogulamba temple was reconstructed at the same place where it stood. The temple was rebuilt in the same way it was described in the Ras Ratnakaram of Nity Nath Sidh of 12th century AD. Sankarachary was believed to have installed Shri Chakr at Jogulamba temple, which is not available now.
The temples across the country donated money for the reconstruction of this temple while Srisailam Devastanam adopted it to ensure uninterrupted rituals.
Alampur is in Mahbub Nagar district, in the state of Andhra Pradesh, India. It is located at about 90 Km from Mahbub Nagar, 27 km From Kurnool and 200 km from Hyderabad. Alampur is the meeting point of the sacred rivers Tung Bhadra and Krashna and is referred to as Dakshin Kashi (also known as Nav Brahmeshwar Thirth) and the Western Gateway of Srisailam, the famous Shaevite (Shaevism) pilgrim centre. The principal deities at Alampur are Brahmeshwar and Jogulamba. It is surrounded by the Nallamalai hills. Alampur is situated on the left bank of the Tung Bhadra river.
The Nav Brahm temples were built by the Badami Chaluky, who ruled for about 200 years from the middle of the sixth century on wards. The Badami Chaluky built several temples in Karnatak and the Alampur temples in Andhr Pradesh. The Alampur site preserves archaeological remains in the form of temples exhibiting a hybrid style of architecture-dating back to the 6th-7th centuries CE. Some of the images from this site are also housed in a museum nearby.
The Nav Brahm temples are Tarak Brahm, Swarg Brahm, Padm Brahm, Bal Brahm, Garud Brahm, Kumar Brahm, Ark Brahm, Veer Brahm and the Vishw Brahm. These temples are all enclosed in a courtyard on the left bank of the river Tung Bhadra.
The Bal Brahm temple is the principal shrine of worship. It dates back to the year 702 CE as per the inscriptions seen here. Shiv Ratri is celebrated in great splendour here.
The Tarak Brahm temple is partly in ruins and it has no image in the sanctum. It bears Telugu inscriptions from the 6th & the 7th century. The Swarg Brahm temple with an imposing tower is considered to be among the finest in Alampur and is an excellent specimen of Chaluky architecture and sculpture. It contains several sculptures in brass relics and it dates back to the end of the 8th century.
Padm Brahm temple is in ruins, contains a Shiv Lingam of clear stone with mirror like finish. The Vishw Brahm temple is among the most artistic of the Nav Brahm temples. The sculptural work here depicts scenes from the epics.
Sury Narayan temple dates back to the 9th century. This temple has brass relics representing the incarnations of Vishnu. There is also a Narasimha temple with inscriptions from the period of Krashna Dev Ray of the Vijayanagar Empire.
Near Alampur, is Pap Nasham with a cluster of over 20 temples of varying sizes and styles. The most important of these is the Papa Naseshwar temple.
Bhrahm Rambha-Bhrahm Rambika is one of the eighteen Shakti Peeth. The Greeva (ग्रीवा, गर्दन, Neck) of Devi fell here. She is the Shakti of Mallikarjun. The idol of Bhramaramba is in the form of Maha Lakshmi. An idol of Lopamudra, the wife of Mahrishi August, is also present in the Garbh Grah. A Shri Yantr is present in front of the Garbh Grah.
As per the plan of demigods, Brahaspati (Jupiter), the Dev Guru met Aruna Sur. The demon wondered and asked Brahaspati the reason for his visit. Brahaspati told him that, as both of them worshipped the same deity, the Gayatri, there was nothing to wonder if he met him. Aruna Sur felt ashamed-sorry for himself for worshiping Gayatri, who was also being worshipped by demigods and stopped worshiping her. This cleared the way for Maan Adi Shakti to finish the demon. She took the form of Bhramari (भ्रामरी-मधु मक्खी, Bhramarambika). She created innumerable bees, which had six legs. These bees killed Aruna Sur and his whole army within seconds.
The shrine of Bhagwan Mallikarjun is picturesquely situated on a flat top of Nallamalai Hills, Srisailam is one of the ancient Kshetr in India. It is on the right side of the River Krashna in Kurnool District of Andhra Pradesh. This celebrated mountain is also named as Siridhan, Srigiri, Sirigiri, Sriparvat and Srinagam. It has been a popular centre of Shaevite pilgrimage for centuries.
The presiding Deities of this Kshetram Bhagwan Mallikarjun Swamy is one of the twelve Jyotir Ling and Goddess Bhramaramba Devi is one of the eighteen Maha Shakti and both are self-manifested.
2nd Hari Hraray devotee of Shri Shael Mallikarjun constructed entry face (Mukh Mandap) shrine to Bhagwan Mallikarjun temple. Vithalamba wife of 2nd Ruler of Maharashtr, Chhatr Pati Shivaji also served for the development of Srisailam.
Parvat, son of Maharishi Silad performed penance, pleased Bhagwan Shiv and made him agree to live on his body. This Parvat assumed the shape of big Hill Shri Parvat and Bhagwan Shiv lived on it's top as Mallikarjun Swamy.
Shri-the daughter of a Rishi did penance, pleased Bhagwan Shiv and got her name associated with the name of the Hill (Shaelam ) which thereafter came to be known as Srisailam.
(6.1.1). Vraddh Mallikarjun Swamy :: This Shiv Ling is older than the present Mallikarjun Swamy Lingam. Status of Nandi, the carrier of Bhagwan Shiv is absent here. The Shiv Ling is uneven on its outer face. It indicates the old age of Bhagwan Shiv which was prayed by Chandra Vati. (Vraddh :- aged, old)
(6.1.2). Ardh Nareeshwar :: This idol is in northern side of the main temple. This is the oldest idol. Right segment of the statue shows Bhagwan Shiv and the left shows Maa Parwati.(Ardh-half, Naree-woman, Ishwar-God)
(6.1.3). Lings incarnated by Pandavs :: Five temples are situated besides Ardh Nareeshwar temple. These were incarnated by Pandavs.
(6.1.4). Mallika Gundam :: Gundam was part and parcel of Saraswati river, which flows in the inner of Krashna river. This Saraswati river tributary is called Anant Vahini. It is flowing along with Krashna. Many devotees used this Mallika Gundam water to heal their diseases. Mallikarjun temple's image-shadow is being reflected in this Gundam-water.
(6.1.5). Veer Bhadr Swamy Temple :: This idol facing North is guarding Mallikarjun Swamy.
(6.1.6). Sanagalabasavanna :: It is situated in front of the Verasiro Mandapam. It is known as Nandi Mandpam after Nandishwar (Baswanna). Kannadigulu calls this as Chennu Kallu Baswanna.
(6.1.7). Addala (Mirror) Mandpam :: This is the place for Swamy, where he takes rest in the nights, called as Pavalinpu Sewa.
(6.1.8). Triphala uruksham :: Juvvi, Ravi and Medi plants together become grown as one tree. Achary Nagarjun and others were granted deeksha under this tree. Issue less couples who perform Pradakshina (walking round the tree) for seeking children.
(6.1.9). Nity Kalyan Mandpam (ceremonial, marriage hall) :: This is located in the south-west side of temple where daily Kalyanam (Marriage) of the Mallikarjun Swamy and Bramaramkika ammawaru is done here in the evening times.
(6.1.10). Bhagwan Shri Ram and Mata Sita’s Sahashtr Ling :: Incarnated by Bhagwan Shri Ram and Maa Sita, 1,000 Ling are carved out in one Ling. Shri Ram Ling is situated in Swamy temple, where as Maa Sita's Ling is in Ammavari temple.
(6.2). SHRI SHAILAM AND SURROUNDINGS ::
(6.2.1). SHRI BHRAM RAMBHA DEVI :: The main temple of Bhram Rambha Devi, first of Asthadash Maha Shakti Peeths is well sculptures. Honey bee’s hovering sound (Bhram, भ्रामरी-मधु मक्खी) honey bees are heard in the back side of the main temple. Devotes are not allowed to enter the temple.
(6.2.2). Lop Mudra :: Statues of Lop Mudra, Mahrishi August wife are seen in Srisailam and in Sala Mandpam of Devi temple.
(6.2.3). Vitalesvara temple :: Vitalamba wife of Hari Hararay (II) lied steps to Patal Ganga. The deity residing here is called Vitalesvara Swamy.
(6.2.4). Shivaji spurthi kendram :: Chhatr Pati Shivaji visited the Srisailam and resided here for some time. He constructed uttaram side Gopuram and in front of it he constructed a small Mandap, which have collapsed and a well deigned modern building has been constructed with a life size idol of Shivaji.
(6.2.5). Hatakeshwaram :: It is about 5 km from Srisailam (Hatak, gold). Bhagwan Shiv killed Tripurasur by making Meru Parvat as bow and arrow. Shiv has been worshipped in golden Lingam shape. Hence, it is being called as Hatakeshwaram. The pond in front of the temple is called Hatakeshwar Tirth.
(6.2.6). Paladhara-Panch Dhara :: Water steams flows continuously to a distance of 6 meters. Paladhara originated from the forehead of Bhagwan Shiv and Panch Dhara originated from the 5 faces of Bhagwan Sada Shiv viz Saty Jata, Vam Dev, Aghor, Tat Purush and Ishan. This water contains medicinal properties.
(6.2.7). Sikhareshwaram :: It is the highest peak of Srisailam mountain. It is about 8 km from main temple. Veer Shankar being called as Sikhareshwar. Purans state that, “Srisaila Sikharam drustya punarjanma navidyate….” By seeing this Sikharam one becomes free from the vicious cycle of life and death.
(6.2.8). Ishtakameswari Devi :: It is about 21 km from main temple, situated in dense forest of Srisailam hill. Ishtakameswari is another name of Maa Parwati.
(6.2.9). Patal Ganga :: Its 1 km from main temple. One has to take a 500 steps to down to river Krashna, which flows here and called as Patal Ganga.
(6.2.10). Akka Maha Devi caves :: It is about 10 km from Patal Ganga. Akka Maha Devi was strong believer of Bhagwan Mallikarjun Swamy. She has been worshipped as prime Sivasaran in Veer Shiv tradition. These caves are naturally formed, very attractive and station of nature beauty.
Gudi Padwa (Marathi New Year), Vasant Nav Ratri in Chaetr month (March-April), Maha Lakshmi Jayanti, Shravan Maas Puja, Durga Nav Ratri in Ashwin month (October), Diwali Lakshmi Puja and Sharad Purnima, Kojagari Lakshmi Puja are major festivals celebrated in Kolha Pur Maha Lakshmi Temple.
Kolh, the monarch of Kolha Pur and the youngest Gay and Lavan decided to seek revenge. He begun swear penances to please Bhagwan Brahma. Brahma Ji became happy with his asceticism and turned to him to grant boons. He returned to his capital which was taken over by Sukeshi-a demon. Kolha Sur attacked Sukeshi and slew him after a ferocious struggle.
Kolha Sur entrusted the administration to his eldest son Karvir. Karvir wanted to take revenge for the death of Gay and Lavan. He started teasing, torturing, slaughtering Rishis, sages, Brahmns and demolishing Ashrams, shrines. He waged war against the demigods. His 3 brother’s lost their lives. Bhagwan Shiv slew Karvir in the end and in accordance with a promise given to him before his death named the city Karvir Nagar.
Kolha Sur, was furious to learn of the fate of his sons. He thought that since Maha Lakshmi was the source of all the power and inspiration of the demigods; he should please her. So, he again took up a severe penance. As a result to his prayers Devi appeared before him. He requested her to quit Kolha Pur for hundred years so that he could take revenge against the demigods. Devi agreed to his request and proceeded to the Himalay. As a result Kolha Pur suffered. He destroyed towns and cities & distressed demigods. Dev Raj Indr again approached the Tri Murti for rescue, who in turn advised to seek relief through Maa Bhagwati. She was furious but could do nothing to protect the populace of the region, since she had granted the boon to Kolha Sur to stay away for a period of hundred years.
As soon as 100 years completed Devi moved to Kolha Pur, accompanied by a large army of demigods along with Rank Bhaerav, Kal-Vaetal, Siddh-Batukeshwar and Chamundi. She took eighteen armed form, mounted on her lion and set against Kolha Sur.
Kolha Sur though an Asur-Rakshas, had some values-virtues in him and was repentant of his deeds. He prayed for forgiveness. Devi offered him 3 boons. The spot where he would die should become a Tirth Sthal, Devi would reside in her original abode as before and the place would be known as Kolha Pur after him and every year the fruit Kohal would be cut ceremonially in his honour. Goddess pleased by his devotion and said Tatha Astu-granted the boons and Mukti from Rakshas Yoni-Salvation.
Chaluky ruler, Karan Dev, built the temple and Shilhar Yadav extended and beautified it. The Maha Dwar-main entrance of the temple is the in the west. One has to remember that these places of worship had been renovated-repaired and built a number of times by various kings and devotees.
The temple has huge square pillars and foliated arches in wood. This Mandap is called as Garud-Mandap and was constructed during the eighteenth century. An image of Garud, the Vahan of Bhagwan Shri Hari Vishnu, is present in the Mandap so as to face the sanctum. Adjoining it towards the east is a small Mandap of stone construction. It is built on a raised plinth. An image of Ganesh Ji Maha Raj, nearly four feet in height, stands in the centre facing the sanctum. In the central shrine, facing the west, stands the statue of Amba Bai. The northern shrine is occupied by Maha Kali and the southern by Maha Saraswati.
Temple has a rich display of sculpture of figurines in dancing poses, musicians, Gods and Goddesses. The three sanctum have simple Shikhar of brick and mortar. A Shiv Ling is also present here. Above the Garbh Grah of the Mahal Lakshmi shrine a Shiv Ling and a Nandi statues are present.
The image of the Goddess has an extremely-highly pleasant-attractive appearance. It is carved in black stone, is about three feet in height and has four arms. The crowned statue of Goddess is made of gemstone and weighs about 40 kilograms. It contains mater mixed with Hirak bits. The typical Ayudh-weapons of the Devi are :- Lower right hand is the Matuling, Upper right hand-a large mace, Kaumo Dak, upper left hand holds the shield or Khetak, the lower one holding a bowl i.e., Pan Patr.
A natural Padm-Ragini (Lotus) is present here. Devi's crown has are a cobra-hood. A Shiv-ling with a Yoni around it, too are present. Standing behind the Devi's statue her Vahan-a lion, is also present. The deity looks west (Pashchim). There is a small open window on the western wall, through which the setting Sun rays falls on the face of the idol for three days around the 21st of each March and September.
PARSHU RAM TEMPLE :: Bhagwan Parshu Ram-an incarnation of Bhagwan Vishnu's temple is also present on the same hill. A holy pond is also present here, called Parshu Ram Kund.
DATTATREY TEMPLE :: Jagad Guru Dattatrey temple is present on another hill.
ANUSUYA MATA TEMPLE :: Anusuya Mata was the mother of Dattatrey. Her temple is present on the third hill.
MAHRISHI ATRI TEMPLE :: Mahrishi Atri was the father of Dattatrey. This temple is present beside Anusuya Mata temple.
MATR TIRTH :: Matr Tirth is a very holy pond described in Guru Charitr (चरित्र, character). Bhagwan Parshu Ram performed the last rights of his father, Jam Dagni, at this place.
DEV DEVESHWAR MANDIR :: This is the sleeping place of Bhagwan Dattatrey. Dattatrey used to take bath in Ganga at Varanasi, Bhiksha (alms) in Kolha Pur and sleep in Mahur. This temple is present in Mahur town.
Maha Kali temple is situated in Ujjain and Devi here is called Har Siddhi Mata. The main deity is called as Maha Kaleshwar, which is one of the 12 Jyotir Lings. It is present over the bank of holy river Shipra. Ujjain is 50 Km from Indore. One can drop at Ujjain, while going to Som Nath by train. The decoration of the Ling is different in the morning and evening. Bhasmarchana of Maha Kaleshwar is performed in the morning. Ashes from the last funeral pyre of previous night, from the cremation ground are used for this purpose. The ashes for this archna-prayer are taken in a thin cloth. Ladies should not witness this.
Har Siddhi Mata temple which is one of the Shakti Peeth, is very close to main temple.
Ujjain is a place of historical importance. Ghat Kalika (Kalidas Aradhana Devi) temple, Char Dham Mandir, Betal Peepal-tree, Bhart Hari Guha (elder brother of King Vikrma Dity), temple built by king Vikramadity and Kal Bhaerav temple, where liquor is offered as Prasad, Bada Gan Pati Mandir, Mangal Nath Temple, Gopal Mandir, Iskon Mandir, Sandeepani Ashram and Bhookhi Mata temple are the other places of religious significance. Chintamani Ganesh temple is very famous. Statue of Nandi in standing posture, is present in the Bhagwan Shiv temple. Portrait of King Vikramadity is present in the court hall near Har Siddhi Mata temple along with the portraits of Maha Kavi Kalidas and the great Varah Mihir.. One can see the rare Portrait of King Vikrma Dity in the court hall near Har Siddhi Mata temple.
When Bhagwan Vishnu applied Sudarshan Chakr over the charred body of Mata Sati her upper lip detached and fell here.
MAA MAHA KALI-HAR SIDDHI was the Aradhy Devi of Veer Vikrma Dity. He offered his head by cutting it 11 times to the Devi to please her. She made him alive by jointing it back. She is also known as Rakt Dantika or Chamunda. She appeared to kill the demon Andhka Sur.
Andhak was born when Maa Parwati closed the eyes of Bhagwan Shiv, from behind in the evening playfully. He was adopted as his son by the demon king Hirany Kashipu, Bhagwan Brahma's grandson & son the demon-Rakshas son, of Kashyap. His sight returned thereafter. Unaware of the fact, he longed for Maa with lust.
In due course, he became the ruler of Ujjaini and attained the boon that every drop of his blood that would touched the ground would produce a new demon-Rakshas. When Bhagwan Shiv pierced him with his Trishul-Trident, Maha Kali appeared and drank all the blood and engulfed all the demons born out of the drops of blood. Bhagwan Shiv transformed him in to Bhrangi one of his Gan, after holding him over his Trishul for millions of years.
HAR SIDDHI TEMPLE :: This temple occupies a special place in the galaxy of ancient sacred spots of Ujjain. Seated between the idols of Maha Laxmi and Maha Saraswati, the idol of Annapurna is painted in dark vermilion. The Shri Yantr, the symbol of power or shakti, is also enshrined in the temple.
Goddess Chandi acquired the epithet of Har Siddhi. Once, when Bhagwan Shiv and Maa Parvati were alone on Mount Kaelash, two demons called Chand and Prachand tried to force their way in. Bhagwan Shiv called upon Chandi to destroy them, which she did. Pleased, Bhagwan Shiv bestowed upon her the epithet of one who vanquishes all.
UJJAINI MAHA KALESHWAR :: Maha Kal-Bhagwan SHIV is the distinctive presiding deity of Ujjain. Bhagwan killed the demon-Rakshas called Tripur. Maha Kal literally means the Ultimate destroyer-Supreme deity of death. Kal stands for death-end and time. Ujjain has been and still is a seat of astrology and Indian astronomy, having a Nav Grah-Nine Planet temple and an observatory.
The Ling in this temple is also called Dakshina Murti, as it is the only one that faces South. The Ling in this temple is also known as Swayambhu-which evolved itself, from the earth, as it derives powers from within, quite unlike the other Lings where the powers are manifested by Tantr-Mantr or hymns. Deriving The grandeur of Maha Kaleshwar is indescribable.
Chandr Sen, the king of Ujjain was not only a scholar, but also a staunch devotee of Bhagwan Shiv. Once his friend Maheshwari’s follower Mani Bhadr gave him a beautiful gem stone called Soundary Chintamani. The stone was so bright, glittering and beautiful that when Chandr Sen wore it round his neck, he looked even more glorious than the celestial demigods. It made the demigods feel jealous. Once, some kings went and asked Chandr Sen to part with the jewel and Chandr Sen promptly refused to oblige. This angered the kings, who in turn attacked Chandr Sen’s kingdom. Chandr Sen realised that he was surrounded by the enemy. He sought help of Maha Kal. Bhagwan Shiv was pleased with his prayers and the trouble passed away.
Just then, by chance, a shepherd woman who had suddenly became a widow, wandered near Maha Kal, carrying her son with her. The illiterate boy saw the king performing Puja in front of the Shiv Ling. He too installed a rounded stone as Maha Kal in his house and started worshiping it. The boy became so engrossed in prayer and chanting, that he even forgot all about food. When his mother went to call him, a number of times he had no affect on him. He was silently praying. Angered by this, the mother who was still bound by worldly love, threw away the Shiv Ling. She destroyed every thing pertaining to worship-prayers.The boy was very sad at what his mother had done. He started to pray to Bhagwan Shiv with his entire concentration. Bhagwan Shiv was mobilised by the devotion of the small child. He came running to help the child. This stone Shiv Ling which was installed by boy, who was the son of a cowherd soon became adorned with gemstones and turned into a Jyotir Ling. After singing in praise of Bhagwan Shiv, when the boy returned to his house, he was amazed to find a beautiful palatial home instead. Thus, with the grace and blessings of Bhagwan Shiv, the boy became rich and led a very happy life. He was blessed that Almighty Bhagwan Shri Krashn will take incarnation in his clan to reduce the weight of earth.
GOPAL MANDIR :: This huge temple is situated in the middle of the big market square. The sanctum sanctum is inlaid with marble and doors are silver plated.
MANGAL NATH TEMPLE :: This temple is situated away from the bustle of the city and can be reached through a winding road. The temple looks upon a vast expanse of the Shipra waters and fills the onlooker with an indescribable sense of peace. Mangal Nath is regarded as the birth place of Mars[Matsy Puran]. In ancient times, it was famous for a clear view of the planet and hence suitable for astronomical studies. Maha Dev Bhagwan Shiv is the deity which is worshipped in the temple of Mangal Nath.
VIKRAM KEERTI MANDIR :: Established on the occasion of the second millennium of the Vikram era, as the cultural centre to perpetuate the memory of Vikramadity, the Vikram Kirti Mandir houses the Scindia Oriental Research Institute, an archaeological museum, an art gallery and an auditorium. The Scindia Oriental Research Institute has an invaluable collection of 18,000 manuscripts on various subjects and runs a reference library of important oriental publications. Rare manuscripts in Prakrat, Arabic, Persian and other Indian languages cover a wide range of subjects from Vedic literature and philosophy to dance and music. Palm leaf and bark leaf (Bhoj Patr) manuscripts are also preserved in this institute. Apart from an illustrated manuscript of Shrimad Bhagwat in which actual gold and silver have been employed for the paintings, the Institute has a rich collection of old paintings in the Rajput and Mughal style. The museum also exhibits a rich array of images, inscriptions, copper plates and fossils discovered in the Narmada valley. A huge skull of a primitive elephant is of special interest.
GURU SANDEEPAN ASHRAM :: Bhagwan Shri Krashn and Balram attained the knowledge of 64 disciplines in just 32 days from Guru Sandeepan here. Guru became a Parshad (पार्षद) of Almighty Shri Krashn in Gau Lok, thereafter. Sudama became friendly with Bhagwan Shri Krashn and attained Salvation due to his extreme devotion. The area near the ashram is known as Ank Pata, (अंक पता) popularly believed to have been the place used by Bhagwan Krashna for washing his writing tablet (तख्ती, स्लेट). The numerals 1 to 100 found on a stone are believed to have been engraved by Guru Sandi Pan.
GAD KALIKA TEMPLE :: Situated about 2 miles from the city of Ujjain, the deity in this temple is believed to have been worshipped by Kali Das, an idiot turned into enlightened when he offered his head Maa Kali 9 times.
NITY YATRA :: During this Yatra, after taking bath in the holy Shipra, the Yatri-visitor, devotee (Participator) respectively visits Nag Chandresh Vara, Kotesh Vara and Maha Kalesh Vara, Goddess Avantika, Goddess Har Siddhi and August Vara for darshan.
SWARI-PROCESSION :: On every Monday during the Shravan month up to the Amavasya in the dark fortnight of the Bhadr Pad, even from the bright fortnight of the Kartik, then to the dark fortnight of Magh Sheersh, the procession of Bhagwan Maha Kal it taken throughout the streets of Ujjain. The procession of Bhagwan Maha Kal on Vijay Dashmi festival at Dashhara Maedan is also very attractive.
HARI HAR MILAN :: On the auspicious occasion of Vaekunth Chaturdashi, Bhagwan Maha Kala visits Mandir in a procession to meet Dwarka Dheesh Shri Bhagwan Hari, usually during the mid-night. Later then in a similar procession on that very night Dwarka Dheesh visits Maha Kal temple. This festival is the symbol of oneness between the two great segments of the Trinity.
SINGHAST-KUMBH :: It is the great bathing festival of Ujjain. It is celebrated in a cycle of twelve years when Sun and Jupiter enters the sign of Aries and Leo respectively. It commemorates the falling of nectar into the Shipra river during the fight for Amrat between the demigods and the demons. A dip in the river during the fair days is considered most holy-auspicious. Ceremonial bathing in the holy waters of Shipra begin with the full moon day of Chaetr and continue in different intervals throughout the successive month of Vaeshakh culminating on the full moon day.
The temple of Raj Rajeshwari Devi is one of the ancient temples of India. The deity of Peeth Puram, Shri Puruhutika Devi is resting here over the Peeth-back and because of that the name of the Goddess became Puruhutika Devi and the town is called as Peeth Puram.
The temple of Puruhutika Devi is located within the temple campus of Kukkuteshwar Swamy, which is situated over the outskirts of the Peeth Puram village towards Kakinada. The pond at the entrance of the temple is called Pad Gaya Sarovar. Main temple of Kukkuteshwar Swamy is present towards the right side of the pond. Puruhutika Devi temple is present in the North-East corner of the Kukkuteshwar Swamy temple. It is constructed facing South. Puruhuth temple looks very nice due to the carvings of Ashta Das Shakti Peeth on it's walls.
Indr cheated Ahilya (wife of Gautom Rishi) in the form of Gautom and was cursed by the Rishi. Indr lost his testes and got 1,000 Yoni all over his body. Indr lost his testes. He wanted to regain them. He left heaven, came to Pithika Puri and did penances (asceticism, obeisance, Tapsya) for Jagan Mata. After a long period of time Jagan Mata appeared before him and blessed him with wealth and testes. Indr was very happy and preyed her as Puruhutika Devi (One who was worshipped by Indr).
After a very long time Jagad Guru Shri Pad Vallabh took birth in Peeth Puram. He too worshipped Puruhutika Devi and realised his self. He is an incarnation of Dattatrey.
Jajpur is located at a distance of 120 Km from Bhuvaneshwar, the capital city of Orissa. Jajpur has a rich cultural and historical reference in several Hindu scriptures. Jajpur is also called as Baethangi Thirth or Birija Kshetram.
The temple of Girija Devi is a very small structure.
The idol of Girija Devi is decorated with flower garlands and gold jewellery. One can see only the face of Maa Birija. The idol is decorated with silver crown full of jewels. Maa Girija blesses her devotees with her pleasant smiling face and charming looks.
The well near the main temple of Girija Devi in utilised by the devotees to perform ritual-rites to their ancestors-Pitre (Pind Dan).
A well is located near the main temple of Girija Devi where devotees perform ritual rites to their ancestors (Pind Pradhan). People believe that these Pind will reach Kashi directly. It seems the depth of the well is somewhere around 4 to 5 feet but it never dried up till now.
Gaya Sur took away the goods pertaining to the Yagy, which were to be held by Indr. Indr went to Tri Murti (Brahma, Vishnu & Mahesh) and prayed them to slay Gaya Sur to protect the Yagy.
They killed Gaya Sur. His head was thrown in Gaya in Bihar, navel part was thrown in Jajpur & Orissa and his feet were thrown in Peeth Puram (Andhra Pradesh). Hence Jajpur is called as Nabhi Gaya (नाभि, means navel) and Peeth Puram is called as Pad Gaya (Pad means feet).
Yam-Dharm Raj Temple, Vaetarni river :: At a small distance from Maa Girija Devi temple, Vaetarni river flows. Dashashwameth Ghat is the most important Ghat-river bank among all the Ghats here. The temple of Yam Raj is located here. People believe that one who dips in the holy river Vaetarni and worships Yam would easily cross the river Vaetarni after death. Vaetarni has a magical power to cure diseases and can remove all the sins of devotees.
Shri Shwet Varah Swami temple :: Earth was rescued by Bhagwan Vishnu by acquiring the shape of a Varah-pig. Some more important temples of Jajpur are :- Jagan Nath temple, Saty Vrat Temple, Shri Ram Mandir, Shri Siddheshwar Temple, Shri Baleshwar Temple, Varuneshwar temple and the Sapt Matrak temple.
Sur-demigods and Asur-demons, Rakshas stirred-churned the ocean to get nectar (elixir, Amrat). At this juncture Bhagwan Shri Hari Vishnu appeared as Mohini. Mohini illusioned the demons. Demons were dissatisfied with the injustice meted out to them, in the manner of distribution of nectar. Dev Rishi Narad directed them to pray to Bhagwan Shiv.
Tadkasur the son of Samuchi and grand son of Hirany Kashipu worshipped and pleased Bhagwan Shiv through penances (asceticism, obeisance, Tapsya) and got his Atm Ling (आत्मलिंग). He obtained a boon that he would be killed by the son of Bhagwan Shiv, only. Empowered by the boon, Tadkasur started troubling people and Demigods.
The temple of Amareshwar is located on the banks of river Krashna. The Ling is 15 feet high, carved out of marble. The city was named Amaravati after Indr's capital here. Indr and Demigods worshipped Bhagwan Shiv here. Goddess Shakti is worshipped as Bal Chamundika Devi. The white Ling is unique and the priests have to ascend the steps for offering Abhishekam.
Amaravati was once the abode of the demigods, Yaksh and Kinnar, who performed penances to Bhagwan Shiv to request him to rid the earth of the mighty demon Tadkasur (ताड़कासुर).
Bhagwan Kartikey, the son of Bhagwan Shiv killed the demon Tadkasur, at the request of the demigods. The Atm-Shiv Ling in the neck of the ardent devotee of Bhagwan Shiv, Tadkasur, had been divided by Bhagwan Shiv (Maha Dev) into five pieces and installed (Prathishthapana, प्रतिष्ठापना) them at five different places, now famous as Pancharam. They are Draksharam, Komararam, Ksheerarama, Bheemaram and Amareshwar.
The biggest of the five pieces is a fifteen foot long column of white marble which is worshipped as Amareshwar at the Amaravati temple (similar to Draksharam temple). It was installed by Indr, Brahaspati the guru of the Demigods and Shukr the preceptor of the Asurs. Ved Vyas Ji too installed a Shiv Ling here, in due course of time. It is located on a small hillock referred to as Krounch Shael, alongside the river Krashna which flows for a short distance in a North-Southerly direction, although for the most part, the river heads eastwards towards the ocean. The river Krashna is held in reverence at this pilgrimage site and a ritual dip in this river here is considered to be meritorious.
The main temple is twin storied. Two flights of stairs lead one into the upper level of the sanctum. This has a pillared pradakshina (प्रदक्षिणा) on three sides and a Garbh Grah. Bhimeshwar is enshrined in the form of a ten feet high Shiv Ling in this Garbh Grah. Another feature of the temple is the narrow Mandapam that is seen in the premises. Bhagwan Shiv's consort here is known as Manikyamba. The temple walls and pillars are decoratively carved with mythological figures.
Sapt Rishis (Seven Sages) to achieve the ends of their penance divided the Akhand (अखण्ड, un branched, un divided) Godavari river into seven different streams at Draskharam. Bhardwaj, Vishwamitr and Jamdagni streams known as Antar Vahinies (अन्तर वाहिनी), were believed to have gone under ground. There is Sapt Godavari Kundam (pond formed by 7 streams) near the temple, where the devotees bathe.
Taraksh (ताराकक्ष), Kamlaksh (कमलाकक्ष) and Vidyunmali (विद्युन्माली), sons of demon Tadkasur, attained the boon of death by the arrow that could set afire their three cities (Satellites made of Gold, Silver & iron rotating the earth) at once. Finally, after the Tripur devastation (sanhaar, संहार), they were killed by Bhagwan Shiv and their remains were left at Pancharam Lings.
Kumararam at Bhim Varam-Bhimeshwar in Samalkot is one among the five important and popular Pancharam temples of Andhra. The other four temples dedicated to Bhagwan Shiv are Amararam at Amaravati (Dist. Guntur), Daksharam at Daksharam (Dist. East Godavari), Ksheeraram at Palakollu and Somaram at Gunupudi-Bhim Varam (both in Dist. West Godavari).
Bhimeshwar is named after Chaluky king Bhim (I) presiding Bhagwan Shiv, in the form of tall Shiv Ling. Bhim, was the son of Vikramadity having been victorious in three hundred and sixty battles, ruled the earth for thirty years.
The Bhimeshwar temple at Samalkot is similar in architecture to that of the Bhimeshwar temple at Daksharam. The temple is surrounded by two prakar (प्राकार) walls built of dressed sand stones. The outer prakar wall is pierced by Gopur-entrance on all the four sides. The four Gopur (गोपुर), dwar (द्वार) have Arddh (अर्द्ध मण्डप) Mandap on either side. The inner enclosure wall is divided horizontally into two sections separated by a cornice. It has a two storied pillared Mandap running all the inner side.
Bhimavaram is famous for the Gunupudi Someshwar (Somaram) temple, which is considered to be one of the holy Pancharamas. The Shiv Ling in the temple assumes a black cum brown colour on no-moon day and a kind of white on full-moon day.
Temple of Goddess Ann Purna is present over the top of the Shiv temple. Maa Ann Purna has the sacred thread around her neck and a baby near her feet.
This temple is an old temple but looks like new one because of coloured paintings on the walls and sculptures. In front of the temple there is a pond called Chandr Kundum (चन्द्र कुण्ड).
It is fully covered with lotus flowers. There is a big Gopuram as the entrance of temple. In the left side of temple there is a big hall in which temples of Bhagwan Shri Ram and Hanuman are present. In the right side of temple there is an open hall above the temple office. When crowd is present, Pujari (Priest, Pandits) conduct Puja here for the individuals. The temple has so many sculptures which gives it a descent look. A big statue of Nandi Mara Raj is present in the hall. In front of sanctum a temple of Maa Annapurna exists. Sanctum has a Shiv Ling which is small as compared to other Pancharamas. Shiv Ling changes its colour according to Lunar aspect. On Poornima (Full Moon nights) Shiv Ling appears white colour while on Amavasya (Dark nights) it appears dark.
Someshwar Swamy was first worshipped by Moon (चन्द्र, सोम) here after Tadkasur vadh. Hence, in the name of Chandr Dev, came the names Somaramam and Someshwar Swamy.
Ksheerama-Palakollu (Shri Ksheer Ram Lingeshwar Swamy) :: Ksheer Ramam, also known as Palakollu is located near Naras Puram in the West Godavari belt of Andhra Pradesh. It is considered to be one of the five Panch Ram Shiv shrines of Andhra Pradesh. The five Panch Ram temples are Drakshram, Kumararam, Ksheeraram and Bheemaram and Amararam.
Upmanyu, the son of Kaushik Muni requested Bhagwan Shiv that he be granted the desired quantity of milk for the performance of his daily rituals. Bhagwan Shiv granted the boon that the Ksheer Pushkarni tank would overflow with milk from the mythical Ksheer Sagar (the milky ocean). Hence, the names Palakollu, Dugdh Povnam and Ksheer Ramam.
Bhagwan Shri Ram worshipped Bhagwan Shiv before attacking Shri Lanka. The Ling was made from sand at the sea shore. Ravan came to perform the Puja as a Brahmn. This shrine is Rameshwaram.
The white marble Shiv Lingam worshipped in the sanctum is referred to as Ram Lingeshwar Swami as well as Ksheer Rameshwar Swamy. It has a 9 storied Gopuram that soars 125 feet, one of the tallest in Andhra Pradesh. Colourful images and sculptures of various deities are engraved on the walls and can also be seen inside the temple complex.
20 Km from Palakollu is the Natta Rameshwaram temple, where the Lingam is made of shells & conchs is worth a visit.
As per the legends, during the time of self-sacrifice, the genital organ (Yoni, vegina) of Sati fell at this spot. Kamakhya Mandir is a natural cave with a spring. In order to reach the temple, one has to take a flight of steps that goes down into a dark and strange shrine.
This is an ancient temple which had been renovated from time to time. The spire of this temple is shaped like a beehive. Besides Kamakhya Devi, there are images of Ganesh Ji Maha Raj, Maa Chamundeshwari and various dancing sculptures.
Kamakhya is believed to be the granter of desires. Assam is known as Kam Roop Desh, a place that is associated with Tantric practices and worship of Shakti. She is the goddess who fulfils all desires, grants salvation as per Kalik Puran.
During the occasion of Nav Ratri (Sept.-Oct.), a three day festival attracts thousands of pilgrims. This festival is known as Ambuvaci (Ameti), which is unique with its own significance. For the duration of this fertility festival, the Goddess is said to undergo her menstrual period. At this point of time, the temple is closed for three days and before closing, white sheets are draped inside the temple.
When the temple is opened after three days, the sheets are found red in colour. On the fourth day, great festivity is observed. Devotees from far and near, come to visit this temple at this juncture of the festival. The red sheets are torn into pieces and distributed amongest the devotees. Kamakhya Temple is a prominent pilgrimage site that attracts thousands of visitors throughout the year.
The females of all animals are exempted from sacrifice.
Naraka Sur-son of earth was born when she was touched by Bhagwan Shri Hari Vishnu, established himself as a custodian of this Yoni Sthal and perhaps in conformity to her name he changed the name of the kingdom from Prag Jyotish Pur to Kam Rup. The people whom he conquered were Kirat who were strong, ferocious, ignorant and addicted to meat and drink. They had shaven heads and their skin was yellow as gold. As they were the original inhabitants, Maa might have been in their keeping or belonged to some sub-tribe amongest them.
(14.2). There is no idol or symbol in this temple. One just imagine that Maa is present here, over a wooden swing (झूला).
(14.4). One of the Akshay Vat Vraksh is present here.
(14.5). Veni Madhav one of the Panch Madhav temples is located here and
(14.6). Mahrishi Bhardwaj's Ashram is also present here.
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8-10 million pilgrims (Yatris) visit the temple every year. This is the second most visited religious shrine in India, after Tirumala Venkateshwar Temple. Maa Vaeshno Devi was born in the Southern India in the home of Ratnakar Sagar. Her worldly parents had remained childless for a long time. Ratnakar had promised, the night before the birth of the Divine child, that he would not interfere with whatever his child desired. Maa Vaeshno Devi was called Trikuta (त्रिकुटा) as a child. When Trikuta was 9 years old, she sought her father's permission for doing penance on the seashore. Trikuta prayed to Bhagwan Shri Hari Vishnu in the form of Ram. During Shri Ram's search for Sita, He reached the seashore along with his army. His eyes fell on this divine Girl in deep meditation. Trikuta told Bhagwan Shri Ram that she had accepted him as her husband. Bhagwan Shri Ram told her that during this incarnation he had vowed to be faithful to only Sita. However, pleased with her devotion, Bhagwan Ram gave her the name Vaeshnavi (devotee of Ram-incarnation of Bhagwan Shri Hari Vishnu) and assured her that in Kali Yug he would manifest as Kalki and would marry her.
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Bhagwan Shri Ram asked Trikuta to meditate in the cave found in the Trikut Range of Manik Mountains, situated in Northern India. Bhagwan Shri Ram gave her a bow and arrows, army of monkeys and a lion for her protection, Maa decided to observe the Nav Ratr for the victory of Bhagwan Shri Ram against Ravan. One reads Ramayan during the 9 days of Nav Ratr, in remembrance of Vaeshnavi. Bhagwan Shri Ram promised that the whole world would sing Maa Vaeshno Devi's praise. Bhagwan Shri Ram said that Trikuta will become famous as Vaeshno Devi and would become immortal forever. The adobe of Maa Vaeshno Devi is attaining huge pilgrimage attraction due to Bhagwan Shri Ram's blessings.
Shri-Dhar was an ardent devotee of Maa Vaeshno Devi. He resided in a village called Hansali, 2 km away from the present Katra town. Once Maa appeared to him in the form of a young bewitching girl. The young girl asked the humble Pandit to hold a Bhandara (a feast to feed the mendicants and devotees). The Pandit set out to invite people from the village and near by places. He also invited Bhaerav Nath a selfish Tantrik. Bhaerav Nath asked Shri Dhar how he was planning to fulfil the requirements. He reminded him of the bad consequences in case of failure. As Pandit Ji was lost in worry, the Divine girl appeared and told him not to be despondent as everything had been arranged. She asked that over 360 devotees be seated in the small hut. True to her words the Bhandara went smoothly with food and place to spare. Bhaerav Nath admitted that the girl had supernatural powers and decided to test her further. He followed the divine girl to Trikuta Hills. For 9 months Bhaerav Nath was searching for the mystic girl in the mountains, whom he believed was an incarnation of the Maa. While running away from Bhaerav, Maa shot an arrow into the earth from which water gushed out. The resultant river is known as Vaan Ganga (वाण गँगा). It is believed that by taking a bath in Vaan Ganga ( Vaan-Arrow), a believer of the Maa can wash away all his sins. The banks of the river, known as Charan Paduka (sleepers, foot prints), are marked by Devi's foot imprints, which remains intact till date. Vaeshno Devi then took shelter in a cave known as Garbh Joon near Adhakwari, where she meditated for 9 months attaining spiritual wisdom and powers. Her meditation was cut short when Bhaerav located her. Maa Vaeshno Devi was then compelled to take the form of Maha Kali when Bhaerav tried to kill her. The manifestation of the Maa took place at the mouth of the holy cave at Darbar. Maa then beheaded Bhaerav with such sheer force, that his skull fell at a place known as Bhaerav Ghati, 2.5 km from the Holy Cave.
At the moment of death, Bhaerav pleaded for forgiveness. Maa knew that Bhaerav's main intention in attacking her was to achieve salvation. She not only granted Bhaerav liberation from the cycle of reincarnation, but also granted him a boon, whereby every devotee, in order to ensure completion of the pilgrimage, had to visit Bhaerav Nath's temple near the Holy Cave after the darshan of Maa. Meanwhile, Maa Vaeshno Devi assumed the shape of a rock with three Pindis (heads) and immersed herself into meditation forever.
Pandit Shree-Dhar became impatient. He started to march towards Trikuta Mountain on the same path that he had witnessed in a dream. He ultimately reached the cave mouth. He made a daily routine of worshiping the Pindis in several ways. His worship pleased Mata Vaeshno Devi. She appeared in front of him and blessed him. Since, that day, Shri Dhar and his descendants have been worshipping Maa Vaeshno Devi.
The Jwala Devi Temple is one of the fifty one Shakti Peeths in India. The beautiful temple is set against a cliff. The dome of temple aureate is made of gold and has pinnacles.
The Arti sessions at the temples are so beautiful and serene that it takes one's breath away. The Artis are essential rituals in all the temples in the country. Five Artis are performed by Pujaris in worship of Goddess. One Arti is performed early in the morning, one at Sun rise, one at mid noon, one in the evening and one at the bed time of the Goddess. (15.1). Mangal Arti (Morning 5 AM), (15.2). Panj Upchar Pujan (After Arti), (15.3). Bhog Ki Arti (12 AM), (15.4). Arti (Evening 7 PM) and (15.5). Shayan Ki Arti (Evening 10 PM)
However, the Shayan Arti performed at Jawala Ji before bed time is unique. The bed of Maa is decked up with rich dresses and ornaments during Arti. First part of it is done in the main temple of Maa and the second part is performed in the Sej Bhavan Shloks from Soundary Lahri by Shri Shankrachary are recited.
There is no idol in the temple. Mata is believed to be present in the fire flames. 9 incessant fire flames are known as Maha Kali, Ann Purna, Chandi, Hinglaj, Vindhy Vasini, Mah Lakshmi, Saraswati, Ambika and Anji Devi.
During the festival of Nav Ratr thousands of devotees throng the temple to make offerings and receive blessings. Many colourful and joy filled fairs are organised during Nav Ratri in the months of March-April and September-October.
The nearest airport from Jwala Devi temple is at a distance of fifty km at Gaggal. The next closest airport is at Chandigarh at a distance of two hundred km.
The closest railroad track terminal is at Jawala Ji road Ranital situated at a distance of twenty km from the temple. One can easily reach Jwala Devi Temple from Kangra by road.
This description is available in Padm Puran, Vayu Puran and Agni Puran and in other scriptures and Tantric works. This temple constitutes an Up Shakti Peeth. A flight of steps and a motorable road lead to the temple.
Gaya is one of the most famous spiritual destinations in India. It is located in Bihar and stands on the bank of Falgu River. Gaya in India is held holy and pious by both Hindu and Buddhists. The narrow by lanes with age old buildings, beautiful natural surroundings with rocky hills on the three sides and river flowing by the city on the western side makes the city look beautiful and elates the spiritual atmosphere of the place.
Mangla Gauri, Ram Shila, Brahm Yoni and Shrang Sthan are the places where one can find temples on the hill tops and which comprise of the pilgrimage circuit of the city.
The temples and the Ghats that are present by the River Falgu are also of great spiritual significance. Some trees are also held sacred by the Hindus and in Gaya one would find Peepal trees, Akshay Vat and the undying Banyan which are also offered prayers and offerings in huge numbers by the pilgrims coming into the city.
Gaya is held as an important spiritual center by Hindus as a site which offers salvation to the souls. Buddhists hold Gaya as an important pilgrimage center because of the presence of the Brahm Yoni or the Gayasia hill where Buddh preached the Fire Sermon or the Adittapariyaya Sutr.
Maa's Karn Kundal fell here in addition to one of the three eyes making it a Shakti Peeth. As the divine eye can perceive the entire universe, Mother here is called Vishalakshi, the vast eyed. Vishalakshi Devi temple is a powerful Shakti Peeth and any Pooja, charity, recitation pertaining to Devi, Mantr recited in this premises are considered to yield desired results. Unmarried girls worshiping Vishalakshi Devi are sure to get married, childless couple will certainly be blessed with a child, even the most unfortunate ladies will find all fortunes coming their way.
The word Vishalakshi (Vishal-विशाल, big, Akshi-eyes, आँखें) means the one who has big eyes. She is described as the one who rules the world. Tantr describes her as Maha Kali. She breaks the Karm Bandhan of the devotees after the death. Vishw Nath, is present in the form of Maha Kal to bless the devotees with Moksh-Salvation.
The temple of Vishalakshi is present near the temple of Ann Purna.
The temple is so vital to Kashmiris that Kashmiri language has the script of Sharda, which is slightly similar to Dev Nagri. Devotees of Maa Durga and Bhagwan Shiv from all over the country flock to the temple of Sharda which can be approached from Bandi Pur in North Kashmir, about 80 km from Srinagar.
Through centuries the temple had remained the object of worship and devotion of Lakhs of pilgrims from all over the country. Though in ruins now, the entire temple complex inspires grandeur and awe. The temple had a massive library attached to it which had priceless works on art, science, literature, architecture, music, humanities, medicine, astrology, astronomy, philosophy, law and jurisprudence and Sanskrat etc. The library was used by scholars from even neighbouring countries.
Kashmir was also called Sharda Peeth (the base of Sharda), the name being derived from the temple. One can take this to be an allegory of all the struggles Shankrachary had to face in his life. Ascending the seat of Sarv Jan situated in Kashmir of the North is a symbol.
Its the duty of pious Hindus to seek the release of this Shakti Peeth from the clutches of Muslims.
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